Brides and grooms

shove fists full of white icing

into each other’s mouths.

The video implores,

“Eat cake.

Be sweet. Be sweet.”

When there was no bread

She said

“Eat cake.

Be sweet. Be sweet.”

Dates and sugar

Coconuts and mangos

Arrive in the boats

The sailors say

“Eat cake.

Be sweet. Be sweet.”

When this life is done with me

That may be the time to

have my cake

and eat it too.


A dream of a boat

Noah and Ahab float away on a raft

Gulliver is in charge now

But how does it begin

The end is there

I write this poem backwards

A soup bowl of quantum level chaos

I began to wail.

“Why haven’t I been given the standard instructions regarding the life rafts?!”

I reported on deck but the captain said

“You’re on your own matey.”

Then he chuckled.

So I napped in the deck chair ‘neath the silvery moon.

A big black dog howled from the next chair.

I told him to shut up.

He whined.

I apologized.

Soft rain and laughter coming from on high.

Note: This started as a Facebook status update after listening to Patti Smith Babelogue


Our river of dream
Awake with the leaping fish
Glint catches the eye
Beneath the settled stillness
We look for another glimpse


I just watched the movie Across the Universe directed by Julie Taymor. Excellent. It is a love story with a serious social context drawn from the 1960s and from Beatles songs. When I started watching it there seemed to be some overwrought elements, too many visuals and tricks and so forth but as it went on the artistry of it became more evident.

I’ve always liked Julie Taymor’s work especially on Titus for which she wrote the screenplay and directed. Of course this was based on the Shakespeare play Titus Andronicus. What a vision this woman has. No wonder considering her background in theater, costuming and all other areas of drama.

I just read her bio on the Internet Movie Database and then it really struck me why her work resonates so much.  Her travels to Asia, most notably India and Japan as well as her interest in puppetry from Indonesia are all things with which I am familiar.

Just wanted to make a short note here that her next production of The Tempest has gone to post-production. If it contains the high-concept artistry of her other work I can hardly wait to see it.

Check out her work some time and get a fresh view of what contemporary film can be about.


On this blog I collect my literary work. Recently I did a post on my Buddhist blog of Haiku and Tanka poems as a response to a certain piece of Buddhist writing . While they have a specific context which you can read about in the original post they do stand alone as Haiku and Tanka poems so I am reproducing only the poems themselves here.

In fact outside of their original context they have even further meanings which surprised me as I read them. That’s one thing that always stuns me about the writing process. The original impetus can become lost or combined with other inspirations and the results resemble none of those inspirations and become something of their own.  Something other than the sum of their parts.

33 Poems About Sitting Instructions

-some poems about meditation

Poets make castles

A world or the universe

Tiny paper gods


A silver dollar

Signals a helicopter

Sent for the rescue


Someone said plainly

to eff the ineffable

An interesting practice

Alan Watts (1961) wrote, it involves trying to speak the unspeakable, scrute the inscrutable and eff the ineffable. Wiktionary


Rooms here are many

The first thing to discover-

How to lock the door


The grocery list

Does not include chips, ding-dongs

Tiramisu or Shiraz


Chasing the sardines

Minds fanning like outspread nets

Fishing in shallows


Without any choice

Not two or ten thousand things

Litter the pathway


A bird on a wire

Sings the same shrill melody

As when on a branch


My two hands are cleaned

Before preparing our food

Both help cut onions

In India the left hand is used for washing the genitals with water after using a squat toilet. The right hand is used for eating food.


The conductor shouts,

“Stop the train. We have arrived.”

The platform empty


A photo album

Bulging overstuffed pages

Is set on the shelf


There’s always a path

That veers into the forest

Leaves cover the way

Going forward or backward

Direction not to be found


A carpet of grass

And a rounded mushroom top

Look. The Cheshire Cat


An arch of the spine

Subtle bridge of antique bone

Cantilevering

Across the rushing waters

Traffic humming. Dive. Dive. Dive.


Preparing the tents

Carnival of thought goes calm

Work to be done first


Holding timelessness

In elegant folded hands

Fingertips sparking


An old leaning shed

Provides a little refuge

When propped up just so


A stake in the ground

Pounded down with diligence

To tie a wild horse


Perspective drawing

Lines, planes, angles, points all joined

The picture complete


Eyes open mouth closed

Listen to the bumblebee

Outside the window

As it taps incessantly

Wanting to be admitted


Nasal rasp and whine

Breathing with influenza

Not exactly soft

I have the flu as I am writing these poems


When planting a tree

The gardener digs a hole

And settles the roots


Stationary things

Provide a leverage point

For the fulcrum tilt

Physics is not a subject

Without any awareness


Jump up from a seat

And risk a broken body

The ceiling is low


Upstairs or downstairs

The house is inhabited

And the lights burn bright


On a humid day

Though beads of sweat sting the eyes

They remain open

Dust from open windows flies

A fan hums in the corner


Traveling around

Here and there, getting nowhere

To sit and to know


Check the ticking clock

There may be some small spaces

Lost between minutes


The photographer

Must lower the camera

To replace the film


Nothing is hidden

Compass and map are options

For other journeys


The books are in boxes

In some garage or attic

Their words all consumed


The mind’s committees

Will never agree on terms

That mean surrender


Inheritances

Are not merely on paper

But in memory


Movie Rules

04Mar09

When I was taking some writing classes years ago, including screen writing, I also took some courses in film analysis and criticism. Ever since then my movie watching experience has involved analysis of things going on beyond the story. That is, certain patterns, cliches and repeating events have become evident. So I’ve decided to make note of some of these Movie Rules. Like any rules there are exceptions but in general terms the following apply more often than not.

Grease Monkey Rule

When a man has grease on his face a woman will soon touch his face. And if she is wearing white she will kiss him and not get dirty.

Law of Minor Accidents

Where a character has a minor accident near the beginning of the film that character will be the victim in a life threatening situation but will not be killed if the minor accident was due to his own clumsiness.

Law of Military Genius

The most intelligent/humane character in any military situation will either die or go insane, even temporarily.

The Law of Self-Indulgent Wealth

Wherever an ostentatiously rich man appears he will be involved in shady business activity. Wherever an ostentatiously rich woman appears she will be unfaithful to her husband. Neither will spend money on anything other than themselves.

Law of Eccentric Benevolence

This is somewhat related to the previous. Wherever a rich person does give money to help others they will be portrayed as eccentric if not mad. Any other sort of giving behavior will always involve an audience.

The Bed Skirt Rule

When a woman with a tight skirt on lies down on a bed a man will stand at the foot of the bed and he will have previously revealed unpleasant character traits. The man will not be the woman’s husband but either a boyfriend or relative.  This is also applicable to couches but with less frequency. Variations include the picnic blanket and the beach towel.

The Tribal Oral Imbibation Rule

When any tribal people appear there will be at least one shot of some of them engaged in some activity of oral imbibation such as eating, drinking or smoking.

The Stoned Villain rule

Villains always alter their states of consciousness with either alcohol or drugs.

The Law of the Human Appliance

a) No currently replaceable body part, by transplant or artificial means, is ever portrayed as having any special power.

b) Where parts become replaceable in reality they fall out of favor with movie makers.

Law of Extreme Latitudes

There will either be a wise-man mentor or a madman loner in any remote place like the tundra, jungle, desert or dense forest.

Table Cloths Rule

Wherever a male and female encounter one another in a restaurant with white tablecloths they will likely become lovers.

Law of the Female Decoration

Wherever there is clear water, particularly if it is blue, including at a pool, beach, fountain, waterfall, fish tank, pitcher or even large glass of water a female with large breasts wearing something very form fitting or revealing will soon appear in such a way that she becomes part of the set decoration.

Ok so these are the things I have noticed so far. Actually it was several years ago that I wrote these things out and only just found them as I was going through some old papers. I think there are a lot more of these “Laws” that could be delineated and if I come up with a few more I’ll put them here as well.

So what have you noticed in film?